Devil Got Me- short story/fairy tale

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Great Grandfather Elijah paced the halls of the South Carolina state hospital demented and brain damaged from a hammer to the head though it is said he suffered from visions long before that, wandering the woods after midnight knocking on strangers doors insisting they fall with him on their knees to pray.

After he died he sprouted many arms and grew into a great oak tree in our backyard. Some limbs leaned with arthritic heaviness toward the ground for support and others reached high above like they were touching God. From a lower limb we hung a swing whose back and forth gouged out deep gashes but Elijah took it like a man. He had other plans; each time I swung the chains turned my palm lines red with rust the color of dried blood; Elijah imprinting his DNA.


As a small girl, I slept beneath him in the months of June, July and August, mistaking the warm air caught beneath his breadth for love.


But you see, Elijah was mean, even as a tree. He found unfathomable ways to exert his authority. He forbade me to wear dresses as a small girl and even as a big girl ,and would send his winged children to eat my flowered fabrics. He held court with the winged ones as well as the legged,no creature was safe from his relation- Elijah shot his sap far and wide.


As an older girl, my bones had finally pulled the baby fat tight enough to push out the fleshy woman parts. I didn’t purposefully shrink and expand so as to get attention, yet pride and shame combined sludged through my veins every time a man slid his eyes up and down my body, slowly, like slugs .


One hot night in late June, I climbed Elijah to argue for my release. I wanted to be held by a boy, not a tree. It was time to find a husband all my own. I had the words lined up on my tongue and when I fired them off Elijah became enraged and shook me loose into the air. Falling from his arms, velocity swallowed up whatever the ground did not smash.  

Not one to be deterred by by a broken arm and cracked skull,  I put on an old dress of mothers, the color and sheen of a fallen blueberry. The hem hung too far past my knees so I cut it just right to flutter against the top of my thighs and then cinched it tight around my waist with a gold chain. I unfastened the tiny pearl buttons one by one from the neck down to where my heart lay buried pounding.  I brushed my hair, gold like the chain I’d wound under my ribcage, until it glowed like the bulging moon. My eyes, with half circles dark beneath from never a having a restful sleep, glimmered with heavy blue lids, colored precisely like a painting each. Running my tongue over my lips, I savored the taste of my own salty desire.


When she saw me, mother dropped her mouth into a pained ‘O’. She offered up the usual admonishment, hers and Gods, but she and I were finished; I had outgrown the grasp of her saviour trickery.

Elijah yelled out after me: Take off that suicide dress, Alma Lee.

I don’t know why he thought me suicidal. I’m only meant to marry.
I was on my way to main street to be looked at. I intended to be found.

 

The town and its people were static as a low hum-  they weren't receptive to my wild electricity.


Inside the bar on the corner - the same bar that had kept my father for good- the men hooted like laughing owls. Told me to take my ass home to mama for a whooping, told me I was crazy as a loon, told me someone ought to teach me a lesson.

I agreed, said I was there for a lesson. They sneered and growled red faced, alcohol spittle lining their lips, hot blood busting up the whites of their eyes.

But they left me be; none of them my husband.

 

I ordered whiskey because I thought it would taste like the rusted tea of ancient leaves. When I got to the bottom of the glass, the leaves were there settled like drowned omens.  I ordered another and another. I dropped my head to the wood shined gold by the bar rag and watched the moon rise in it’s grain. The barman rubbed the reflection until it disappeared.  Last call, he bellowed, yanking me from my dream.


The next morning, the early sun pulled me out of bed.  Spiders had webbed the house again.
More of Elijah's children, sent to track my comings and goings (even while I slept) and keep me in my place.

He saw me in the door, shouted: “Alma Lee!”

This will be my last day of Great Granddaughter duty, I told myself, tonight I will be free.

I ripped apart the webs and stormed out into his shade, silky strands of of web trailing like extended hair. The wind had worked the air into hot furnace explosions and was shoveling dust into my mouth faster than I could spit it out.

Elijah, told me to pray.

I won’t. I won’t pray, I murmured into the wind.

“Pray!”

First the ground shook with his fury, then my feet, then my legs and up and out until the tremor came to settle on my fingertips like magic powers. I looked back at my house and there was my mother’s head in bathroom window. With her small eyes she pleaded: Do as he says.

“I won’t pray!” I shouted at her over the wind. Her lips moved in the shape of my name.
With power surging through my fingers,  I began shredding every leaf and every twig within my reach. I groaned and grunted like a devil caught in a downpour of holy raindrops.
My arms scratched and bleeding, my feet caked in dirt, scattered about with cut up Elijah, I tipped my eyes up to the top of his crown and all the way into his heavens and screamed “I don’t believe in you!”  


At first the wind seemed to take him and rustle him against his will and then he did a violent drunken dance shaking so hard his limbs sprayed his pollen everywhere. Suddenly, I was yellow, my hair, my skin, my clothes and all my insides.


Steady now for this bad trip.
Steady.
Now.
Turn and run.


Running. Running towards the river. Running down the tracks. Because something or someone was waiting for me. Turning my head quickly to make sure Elijah was not following, my foot caught on a twig and the steel rails rose up to catch me; I hit my head so hard ,my teeth and skull ran round the tracks. A vibration welled up hot and slow and I knew that sensation like I knew my own hot tears in my mouth: a train.
Up on my feet to let it pass, spray painted words dripped down one of the cars: It will be okay.
And then another car, another painted message: JUMP IT.
So I did.

I didn’t know where I was going but the train creaked along so painfully slow my mind could be made up at any time. My feet dangled casually over the side of the train car, as if I we’re only being pulled along in a little red wagon. I let the sun heat up my wounds, sending the blood retreating back inside.
At the next town to the south, where the river opened it’s mouth wide, I landed.

My heart was set on water, on finding the river and a dark, safe place to rest.  Soon my stomach will forget about food. Soon my head will stop bleeding. Soon my broken arm will stop pulsing.

I wound my way through thick pines and standing dead trees, pulled forward by the damp dog smell of the river.

When I arrived, I was home. When my bare feet touched the water, I was safe.

Everyone knows that demons hate water, so I wrapped myself in river and moss and crumpled onto the mud to sleep.

And then he appeared. Salamander. He was beautiful, blotchy and dark like black mold.
He watched me. I watched him.
I slept. He slept.
When I woke up, he had inched closer but still too far to touch.


“Salamander,come here boy!”


He belly crawled towards me leaking my name like sticky wine. Along my outstretched arm he wriggled up to my lips and let me lick him.  
I was drunk still on ancient tea leaves and Elijahs angel dust, spinning from the air hitting my brain matter through gaping head wounds, reeling from his glands in my mouth.


“Salamander! I want to soak you up. I want to lick you until my body shimmies like the river in moonlight. Come now, and let me flood you into my sticks from which we will build a house.”

We became happy. Husband and wife. And one moonless dark night I felt my womb activate.

“We’re having a baby.”

He smiled and rubbed against my face. He was confident we could overcome the obstacles blocking our way out of the woods, said we could become respectable town people.

“But I want to stay. We are safe here.”

Resting in the arms of my husband, I finally felt the resting pace of a content heart. We needed each other equally, neither more disastrous than the other, and our house was sturdy.

One morning when Salamander was foraging, he came home to report a new tree sprout nearby. An Oak, he said. He confessed that this wasn’t the first, he had stomped out many but they kept springing forth from the wet ground.

“Elijah!” I said, “Salamander, don’t let him take our baby.”

Salamander added to his growing list of husband chores the stomping out of Elijah sprouts.


After a few months time, when the night air had turned nearly too cold to bear, when baby must have been as big as a pebble in my palm, I awoke to gushing water sounds. Not my water, I thought, it was much too soon. I turned to Salamander but he was gone.
I heard breathing like a dog with a rabbit in it’s mouth.

“Salamander?” I whispered to the dark.

A growl, a laugh, and then a man, walking on four legs.
I screamed and tried to stand but he was strong, pushed me down to the bed with his short forelegs. I punched him on his long jaw, beat his rib cage like a death drum, and heal kicked his back and buttocks. It was then my foot landed on something that made every cell in my body recoil:  the tail of a crocodile.

“Salamander!” I screamed into the void of our home.

“Elijah, please, I’m sorry, I’m sorry!”

Crocodile laughed, then pinned me. Warm saliva dropped on my cheek and down my neck. His breath was smoke in my eyes and lungs. I was burning. I knew I would die for my sins.
With one quick move of his tail, Crocodile crammed it between my legs and up into my womb. My heart came out through my mouth in one long wail.
We, the pebble and I, became stone. It couldn’t be true.
Crocodile finished and crawled away in haste as if the sight of me might burn the retinas of his reptile eyes.
I didn’t move. My baby didn’t move. It couldn’t be true, it couldn’t be true.
Into a fitful sleep I fell, I could not fight it off. Unconsciousness came to pull my heart into it’s womb.

The dark night gave way to stabbing rays of sunlight; one ray hit my eye like a laser and I stared it down. Slowly, I pulled myself into a sitting position and found I was stuck to the sheet, my own blood spread out like a spilled bottle of drowned omens.

When I came out into the day, I saw them everywhere: Elijah's children, Elijah's tree sprouts, his spiders, his fish, his gnats and flies. His dirt, his sky, his heaven and hell.
His Great Granddaughter.

My duty came rushing in with the weight of a thousand dead babies; I would stop his reign of madness.

Over one night and two days time, I made my way back to my mother and father’s house, back to the Great Oak, Elijah.
And when I arrived, I knew I was not home, but I was safe inside my own unfurled power.
From the woodshed I pulled out my weapon: a chainsaw.
I approached Elijah without hesitation, without sorrow or regret.

“Alma Lee!”
“Alma Lee!”

A chorus of mother and Great Grandfather cries.

“Alma Lee!” shrieked all of his winged and legged children as I took off lower limbs one by one and started in on his trunk.
Would he fall on the house, would he crash down on me, which way would he go? I would never know because I couldn’t bring him down. But he was mortally wounded, I saw to it: hacking out his heart and lungs and whiskey soaked liver. I dug out and shredded his miles and miles of intestines and then I skinned him alive. He would never rise again.

My mother held her ‘O’ mouth shut and tears streamed down in sheets.

“Alma Lee,” she simply said, as broken hearted as a Robin who’s nest has been pillaged.

Weeks passed. I walked often to the river to find my husband but he was gone and the water no longer had strings with which to pull me.  “I should have let you sleep, not spilled your sorrow riddle,” I said to it.

When winter came, we burned Elijah in the stove.
Mother aged a year for every day that passed and soon she wouldn’t get out of bed. Day in and day out she lay still as a caught mouse, speaking to God in dry, whispery tongues. I didn’t always go when she called to me.

The fire in the stove became a place of stories played out in the silky flames. I fed it like it was my child.
One cold and wet night, I brought in a few Elijah logs and placed them carefully on the coals. Sitting back against the hard wood of my chair, I closed my eyes and listened to the hissing of the wet logs. My tired mind let me turn the squealing sounds into my name.


“Alma Lee, Alma Lee.”


Suddenly, inside my womb and deep within my heart, I felt him.


“Salamander?”


He was not on the windows, not on the floor, not in my hair or clothes. I sank my eyes back into the fire and saw him. He was there, atop a log, swallowed by fire.


I tried shoving my hands into the flames, they weren’t nearly as hot as they should have been but they were enough to turn my husband to black glue. There we’re no untapped places, nowhere my pain hadn’t traveled, and so I stayed the same.

Scooping his ashes into a teacup, I filled it with hot water and went outside to look at the sky. The moon was slivered; I held up my hand to cradle it like a weightless child. With scissor fingers, I cut it out of it’s shadow, stuffed it in my mouth and washed it down with my husband tea.


I walked inside and called to mother. I wouldn’t leave her.


Shutting the door on the darkness, I became my parents house, pulling lakes and rivers into my mouth, swallowing the dead.



Annotations and comments

Highlight text
Place and em-dash (—) here if you feel it needs a bit more clarity, but it feels ok without it. Long sentences are things of beauty.
you cant just em dash and run....what are you, Zorro? :)
strangers'
this bit of story is rich--especially the image of Elijah "knocking on the doors of strangers" and demanding they pray. I may be alone, but I find the immediate transition into him being a tree to be a bit sudden. I think you either need to make the back story more significant/relevant to the piece or cut it altogether. the creepiness--which I think you are going for--becomes cliche with too little relevance (insane asylum, you know), but i think you could regain it by taking either of those alternate options (delete or expand).
.
maybe break this up a little? A single period would suffice; even a dash after head would help.
Your'e the second person to mention this, I'm still considering it. I liked it because it is a prologue of sorts and so I like having it stand out a bit.
*you're*
excellent
I would start with Elijah as the tree in the back yard. I want to see this little girl doing all these childlike things with the tree, before I learn that he is in or died in the loony bin. It's actually better, for me, if the guy is alive the whole time and this tree is something else..something darker--a shadow of her memory of Elijah.
This is lovely. What a wonderfully unusual connection.
Thank you, Jaye!
another spacing...small stuff, just clean up.
you're asking too much of this semicolon. Two sentences would work, adds more punch to the last line.
Even an em-dash would work well.
thanks, David, I will probably do that. I need to sit down with this story again and really figure out what Im going to change. Thanks so much for reading...I will make my way over to yours as soon as I read a couple of others I have in my red lemonade queue.
Awesome, thank you! I should be adding another chapter here pretty soon, but you know how it goes with chillins around
I visualize you sprouting like a tree as well. Your bones like branches and your woman parts like leaves and fleshy like forbidden fruit.
That is the second most bizarre thing anyone has said to me on RL. You will have to try harder if you want first place.
I appear to have offended you. That wasn't my intention. It's just how I interpret that image. For me it demonstrated a DNA connection I guess in that you were growing stretching as you described. It made me see you as a tree linked to Elijah. That's all I meant. I did not mean to upset or disrespect your craft and an obviously great piece. Again my apologies. As for first place, I didn't think I was in the running for anything. I only put my writing up so that maybe somebody will read it and point out what I can do to become better. I am unpublished and unknown. This site highlights the works of many talented and distinguished authors I just thought if i post maybe I could get enlightened feedback from authors on the forefront of literature. Again my apologies and I can't wait to see your story in the anthology. John Phoenix
I wasn't offended, I wasn't upset. As long as there is no ill intent, I like it when people say weird things.
In other words, I was making a joke. My humor has yet to translate well on RL. In fact, my husband still doesn't always know when I'm joking. Maybe I should stop joking so much. We all know what they say about clowns and comedians.
This is a little murky--Velocity Swallowed up?
by
nice image.
When I read this entire piece, it was this line that made me wonder if maybe the narrator was insane, like criminally. I read this and for a moment, I want this to be actually the Mother's head in the window. I think it sets up for an interesting tale if all the things she is describing are skewed not because of some element of magic, but b/c she's batty. Like super batty, and damaged, and childlike.
Did you notice that you switch tenses from past to present?
oops..that was because I changed the story from present to past tense; I must have overlooked this. Thanks for catching it. Also, I got an email with another comment from you that never actually showed up here on RL. So, in case you meant for me to see it, thank you!! Very much. :)
This is a bit clunky for me, I stumbled when I read this line.
Need apostrophe
Again here I think if you just broke this into two sentences they pay off would be a little more.
nice. these moments of dialogue really lend immediacy to the story. you develop elijah's personality--demanding, histrionic, moralistic-crazy--more here than a paragraph of exposition could
these two sentences as a couplet work--allow the story to laugh at/with itself a little
Is this a colloquialism, or maybe a typo? I only meant to marry?
Up until now I would say the pacing is pitch perfect, but this gap I feel jumps quite a lot. As me (reader) has been set up for this pursuit of a husband, it comes a bit too fast. More?
you dont need this
Clear, concise & eerie description. Nice.
The wind shoveling dust into my mouth line is great, but this sentence is a bit hard for me to "see".
Just to be an ass, but you can refer to the glowing embers of burning wood as coals--I don't think the author was suggesting mixing coal with wood as fuel, not that that is wrong. Go with what works.
I don't think fires usually mix wood with coal??
Jaye, I couldnt find the highlighted section you refer to in your prior comment. You suggest the pacing might have been thrown off and I want to try and resolve it, but I'm not sure where it occurs. If you find your way back and point that out, I would be so thankful.
I think angel dust is a bit too much, pollen says enough for me.
Odd spacing
Don't know what you're describing here...next line also could lose a hot, maybe a vibration welled up slow and I knew...
were
Needs a space I think
Continuity issue, is he still a salamander or has she shrunk?
I love this.
Fantastic, very foreboding.
There is in this story, a conflict between what is happening and how Alma Lee describes what's happening, which is a good thing to have, this unreliable narrator. For this paragraph, if this is a man and she is witnessing a crocodile--because that's how she deals with these horrible traumas--then you have to achieve a pretty delicate balance between what is reality for the event and what is reality for Alma Lee. That being said, I would pull back on the short fore legs, say down on all fours vs walking on four legs...then let the payoff be her kicking him and feeling this crocodile tail.
This is a small thing that I always make a point to avoid in my work, repeating the same word in the same paragraph. The multiple uses of the word 'womb' in close proximity has a way of disrupting the flow of this section, and it's a powerful word image-wise...this is one of those things that I talk about "using your gut to make it right". It might be simple to remedy it by removing "and up into my womb" rather than searching for a replacement word...gotta face it, uterus just isn't that pretty of a word and would certainly not fit this story. Just something to think about.
Yes, you are so right! Im just going to take out that last sentence....it's not even necessary. Thank you so much for pointing this out, I appreciate it.
Finished the whole story but it's the last paragraphs I love the most. The imagery is poetic, vivid and haunting. Thank you for sharing this piece especially since it has such personal significance for you. Great work.
Thanks you for reading it and for your kind words. I plan on reading some of your work very soon.
*thank* ....
I think "The pebble and I became stone." works better. It's more immediate.
I know some time has passed from the first night with the salamander to now, but I didn't get the sense that they'd moved into any sort of housing structure, and when I read this about her sticking to a sheet, I became lost and wanted to know where Alma was physically.
Because of your story, I think Salamander would be an adorable pet-name. This was so great, well done! I love it.
I love this image of ashes in the teacup & filling it with hot water. Here the complex seems simple, effortless. You might consider slowing down the images that follow (ex: "scissor fingers" and "stuffed...") so that the entire paragraph resonates at the same volume.
I worried from the moment I finished that this story was too thick. I thought I'd wait for the unnecessary words to pop out and sure enough, looking at this paragraph, there they are loud and clear. for instance weightless warm child could just be weightless child, etc..... oh boy, but I do love scissor fingers and stuffed....do you really think they should go? Thanks for you help, Ryan.
Well, for me at least, it's not that I don't "like" scissor fingers and stuffed, but that it doesn't fit the overall tone. I think there's a way of keeping the childlike wonder and playfulness in tune with an elegance of language, such as "weightless child" (so nice!)

“When we evoke the rose as an example of simplicity, we don’t usually think of the centuries it took to create it.” —Jaun Ramón Jiménez
I hear what your'e saying....Im going to ponder another way to write these lines. Thanks, Ryan.