What do you do for a living?
I'm very curious what writers do to pay the bills besides writing.
I'm applying to creative writing programs but cannot determine where my hesitancy comes from. For some reason, it doesn't feel right. It may be because I have a family and have already seen what happens to people who arent prepared for economic crisis...ie...me.
I have a BFA in painting and am finding that, even though I am passionate about literature and poetry and creative expression, I have doubts that another creative degree would be a wise choice. Is this a copout or does it make sense to anyone else on here?
p.s. I read a line in Jonathan Franzen's The Corrections that basically said something to the effect of : 'it was a sign that he was failing- an hour of worry to every 5 minutes of (creative?)output.' And here I am, worrying to no end. sigh.




Comments
I follow you, Jana. I have a child and I haven't even decided what to tell her about degrees and such. My dad was a war child and he was hyper-super-worried about survival while I had it cushy by comparison as long as I worked my ass off which I've always done and as long as I could pay the therapy bills, which went on for a while but now I'm through, I suppose. Anyway, I got my PhD and evidently we have different things to worry about but death is (far) ahead, ahead still, which links us if nothing else, and the desire to make things.
Cannot say much about Franzen. I should re-read what I wrote...was it really so bad? I can't really say that I've read his work very carefully: it never really registered with me as anything I wanted to read. It's quite...American, not a bad thing, but that is of limited value to me. I'm looking for a larger canvas perhaps and I don't see that with Franzen. It's great if he got you thinking and feeling that's what it's all about, I hope to do that with my work whatever else may happen...
As for the MFA you obviously need to suit yourself. I've read Anis Shivani's articles on the subject and in Europe MFAs don't count with respect to creative writing careers or publication or readers. I do believe that good work will find its market, and great work will anyway. Shivani says an MFA will stand in the way, I can follow his arguments, but I'm not sure. I rather believe in James Hillman's acorn theory: each of us has a daimon who knows what it wants from us and what we're capable of and the daimon will come through either way. It's a little fatalistic but it gives hope too, sometimes, to think that you're not just responsible for every nook and cranny of every fork in the road and every stupid decision you ever made...and besides, you write beautifully about your choices and your life, with lots of passion and skill if I may say so: I'd read THAT story and I'm sure 1 Mio people elsewhere will, too. Cheers from Berlin!